Electronic music pioneer MiMOSA just returned with his latest EP called All I Know, which had dropped on June 6th via the well-known bass label Muti Music. This collection shows off a tougher, evolved version of his signature style.
MiMOSA is a big name in the electronic music scene, with hits like ‘Psychedelic Stereo’ racking up nearly 10 million streams. His Spotify catalog is loaded with tracks that have over a million streams, including ‘Lost’, ‘Dripping’, ‘Fluorescence’, ‘Up In The Clouds’, and ‘Lullabyte’. These achievements have landed him performances at major festivals like Coachella, Bonnaroo, Tomorrowland, Shambhala, and Electric Forest, among others.
The All I Know EP from MiMOSA lets the bass flow within the mind, body and soul
This six-track release takes listeners on a wild ride through modern bass music. The title track, ‘All I Know (featuring Jessa Love)’, kicks things off with powerful rhythms and captivating vocals. The ‘SWRV Remix’, a fresh spin on his collab with KOWTA, serves up high-energy trap vibes mixed with raw bass textures. Additionally, ‘Skyrise’ dives into futuristic sounds, marked by dynamic design and relentless momentum.
Also, ‘Everybody (featuring Corey)’ is a highlight of the EP, combining dark, trap-inspired basslines with intricate rhythms. Furthermore, ‘Freddy’ adds a hip-hop flair, bringing in gritty atmospheres and engaging vocal layers. The last track, ‘Always On My Mind’, wraps things up by bringing back that early 2010s dubstep feel but with a modern twist.
An upcoming global star in the bass music world
To summarize, the All I Know EP really showcases MiMOSA’s growth as an artist—a fearless mix of nostalgic vibes and cutting-edge production that breaks genre boundaries. With this release, he isn’t just revisiting bass music; he’s reimagining it, giving both long-time fans and newcomers a sneak peek into what’s next for him.
MiMOSA shares thoughts about how the EP emphasizes the heavier side of bass music
“This EP pries into the heavier side of MiMOSA. I would describe it as ‘high energy west coast underground bass music for the masses’. Made to be listened to on large sound systems to rattle your skull.”
