“They are sculptures from the Congo kingdom,” says Melika Ngombe Kolongo, describing the origin of her artist title, Nkisi. “They’re from pre-colonial instances, for ritual practices — a option to talk with the ancestors. It’s like a human figurine with all these nails in its physique.”
The symbolism behind these sacred objects reveals quite a bit about this Congolese-Belgian DJ, producer and activist, and her perspective on what music is for. “Nkisi weren't simply artefacts, they had been really used as a software for the group, for therapeutic and taking messages from different realms and different dimensions. That’s why I selected it, as a result of I really feel that music is a software the place you possibly can talk in several conditions.”
In the final couple of years, London-based Nkisi’s radio reveals on NTS and DJ units on the Endless club-night have marked her out as an actual authentic. Her model is exclusive, meshing exhausting techno and gabber beats with pan-African drum rhythms, pairing IDM electronics with juke home, and creating all method of refreshing composites. Her productions, showing on labels comparable to Warp’s club-focused imprint Arcola and Rush Hour offshoot MW, mix all these elements to vogue one thing past inflexible style classification.
Raised within the metropolis of Leuven close to Brussels, Nkisi was influenced equally by her dad and mom’ Congolese rumba music at house, and the gabber her faculty buddies would play her. But it was solely when she moved to London that she felt assured to combine these sounds collectively.
“What actually fascinated me about London and music was that it was fairly regular right here for folks to take heed to completely different genres,” she says. “It was extra concerning the vibe than the style. That made me extra assured to attempt it out.”