What an album. I approached “In House We Trust” with a critical ear, as it marks the 10-year milestone for Thomas Will in the scene, and the title itself served as a bold statement of intent. The result is nothing short of impressive. This is an underrated body of work, packed with infectious tracks and creative reinterpretations of classic dance music tropes that feel both nostalgic and forward-thinking.
The production quality across the album is exceptional. It is clear that the creators drew heavy inspiration from the “golden era” of EDM, yet they successfully infuse these foundations with a distinct, modern personality that prevents the tracks from feeling dated. From Acid House to Piano House, the energy remains consistent and crisp, proving that the artist has truly mastered their craft in the studio.
Let’s dive into the standout selections from the project.
Back to Me feat. Kaita
“Back to Me” features the emotive vocals of Kaita, which enrich the breakdown and lead into a beautifully progressive drop. While the choice of kick drum is a bold stylistic decision that contrasts slightly with the “crunchy” piano lead, the track ultimately succeeds as a cohesive piece of dance music.
Couture
This track is a masterclass in Dirty Acid House. By avoiding standard techno clichés and relying on a powerful, driving bassline paired with a sharp horn lead, the track achieves a level of minimalism that feels both sophisticated and energetic. It carries a certain Nicky Romero-esque flair, updated for the 2026 soundscape.
Time’s Up with Chris Candela
The collaboration with Chris Candela is arguably the highlight of the album. The track builds a massive, Big Room-inspired atmosphere that feels reminiscent of the new-gen Hardwell sound. With its precise vocal integration and heavy-hitting progression, “Time’s Up” stands as a definitive banger that anchors the entire project.
