“Between Forms” immediately commands attention through its masterful command of basslines. While many records rely on melodic hooks to capture the listener, this EP prioritizes the low end, which serves as the structural foundation for nearly 70% of the sonic experience. It is a refreshing approach that rewards those who appreciate the technical nuances of sound design.
UNTER STRØM is the collaborative project of Alex Gonzales (Matte Blvck) and John Kunkel (The New Division, John Grand). Their collective experience is evident throughout the project; rather than the tentative exploration often found in newer acts, this EP feels remarkably self-assured. Across four tracks, the duo navigates the intersection of Future Rave and the colder, more industrial edges of Techno, frequently veering into experimental territory that elevates the material beyond standard genre tropes.
Listeners should be aware that “Between Forms” is not intended for passive listening. The sound design is kinetic, constantly shifting and evolving in ways that demand active engagement. Dedicating the full 30-minute runtime reveals a project born from a genuine passion for the craft rather than a rigid release schedule.
A Track-by-Track Analysis
Orynth (81/100)
As the project’s lead release, “Orynth” sets a high bar. While it is perhaps the most accessible track on the EP, it remains a sophisticated Melodic Techno piece. The breakdown is particularly effective, utilizing time-stretched atmospheres to build cinematic tension before the drop.
Fold (80/100)
“Fold” leans into the darker, more mechanical side of the duo’s sound. With pulsing bass plucks and sparse percussion, it eschews traditional melodic payoffs in favor of pure, low-end pressure. It is a track designed for the intimacy of a late-night club environment.
Fragment (87/100)
The standout of the collection, “Fragment” winks at the Future Rave aesthetic while maintaining a thicker, more aggressive bass profile. The evolution of the melody is impressive, layering complexity upon complexity. The finale is particularly noteworthy, featuring a collision of acid house and orchestral elements that feels truly innovative.
Stumbling (86/100)
Born from an arpeggio experiment, “Stumbling” serves as a perfect, minimal closer. It balances an elegant melody with subtle, intricate details, providing a calm, ethereal conclusion to an otherwise intense journey.
