Reviewing a project like SOLID is a refreshing experience because it prioritizes atmosphere and vibe above all else. Marshmallow Ninja, who has been honing his craft for over a decade, approaches his music with a philosophy that transcends rigid genre definitions. While the project draws from diverse influences—ranging from the intricate percussion of Drum and Bass to the nostalgic leads of 90s dance and the laid-back sensibilities of downtempo—it ultimately refuses to be boxed in. This experimental spirit is exactly what makes the EP so compelling.
The core motif of SOLID is the pursuit of authentic inspiration. While I initially approached the release with a degree of skepticism, the depth of the sound design quickly won me over. It is a creative, enlightening collection of tracks that proves genre boundaries are increasingly irrelevant in modern electronic music.
A Track-by-Track Breakdown
The Dojo (70/100)
As the most percussion-heavy entry on the EP, “The Dojo” serves as a perfect introduction to the artist’s unique sonic palette. It features a complex rhythmic structure paired with a striking piano lead that demands the listener’s full attention. While its experimental nature might not appeal to every casual listener, it stands as a testament to the raw creativity fueling this project.
Contemplation of Destiny (84/100)
This track is undoubtedly the standout of the collection. Despite its seven-minute runtime, the composition never feels stagnant. Through the clever use of repetitive loops, shifting low-end harmonics, and subtle synth layering, the track pulls the listener into a genuine trance. It is a masterclass in pacing and atmospheric tension.
The World Slows Down (79/100)
Closing out the EP, “The World Slows Down” lives up to its name by offering a dreamy, weightless conclusion. The use of heavy low-pass filtering creates an underwater, ethereal quality that provides a perfect sense of resolution after the intensity of the previous tracks. It is a relaxing, surreal finish to a highly impressive release.
