REEKO is a producer who has consistently kept both feet firmly planted in the bouncy, infectious side of Future House. When news broke that he would be teaming up with Lacey for vocal duties, the collaboration made perfect sense on paper. However, the resulting track, “All In,” drifts into territory that is as unexpected as it is compelling. While it remains a solid production throughout, the shift in tone is what truly defines the listening experience.
The track opens with a focus on raw emotion. Lacey’s vocal performance is fragile and intimate, creating an atmosphere that suggests a classic, euphoric Progressive House build-up. As the chords swell and the vocal arrangement opens up, the listener is primed for a bright, uplifting moment. Yet, when the drop finally hits, the track pivots into something entirely different.
While the bass retains that signature, rubbery Future House movement, it is layered with a darker, grittier Electro lead. This choice effectively subverts the positive, airy vibe that the vocal spent the first two minutes establishing. It is a bold creative decision that transforms the song from a potential radio-friendly singalong into a legitimate underground banger.
This duality is the core hook of the record. Most producers in this space would have chosen a single lane, resulting in a track that might have been pleasant but ultimately forgettable. Instead, REEKO and Lacey allow the two halves of the song to clash, creating a palpable tension that keeps the listener engaged. By drawing from their distinct musical backgrounds, they have managed to showcase their individual personalities in a way that feels both cohesive and surprising.
While the second drop opts for a more melodic, happier resolution—a choice that arguably softens the impact of the track’s darker narrative—it remains a minor gripe in an otherwise impressive release. Ultimately, “All In” earns its title by taking a risk that pays off, proving that the best dance music often thrives in the space between light and dark.
